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<channel>
	<title>Ryan Anthony Ward &#124; Design × Motion</title>
	<link>https://raw-gfx.com</link>
	<description>Ryan Anthony Ward &#124; Design × Motion</description>
	<pubDate>Sat, 22 Aug 2026 10:36:16 +0000</pubDate>
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		<title>Work</title>
				
		<link>https://raw-gfx.com/Work</link>

		<pubDate>Thu, 26 May 2022 22:28:23 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

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&#60;img width="2560" height="1089" width_o="2560" height_o="1089" data-src="https://freight.cargo.site/t/original/i/a81ce992302c0441b75755410ef28c06694ff89659fdef0d44bef3730a47f7e1/9-0-00-15-00_1.jpeg" data-mid="143816021" border="0" alt="RAW-GFX_ARCV: BEYOND    &#38;lrm; &#38;lrm;&#38;frasl; &#38;lrm;    CGI &#38;times; VFX &#38;mdash; [ IMG ]" data-caption="RAW-GFX_ARCV: BEYOND    ‎ ‎⁄ ‎    CGI × VFX — [ IMG ]" src="https://freight.cargo.site/w/1000/i/a81ce992302c0441b75755410ef28c06694ff89659fdef0d44bef3730a47f7e1/9-0-00-15-00_1.jpeg" /&#62;
&#60;img width="2560" height="1089" width_o="2560" height_o="1089" data-src="https://freight.cargo.site/t/original/i/a05a1c697afe09276bbebb15477dcfd8b6190e2af7184238365bb2fc7aa63e2a/8-0-00-11-17.jpg" data-mid="144992327" border="0" alt="RAW-GFX_ARCV: BEYOND    &#38;lrm; &#38;lrm;&#38;frasl; &#38;lrm;    CGI &#38;times; VFX &#38;mdash; [ IMG ]" data-caption="RAW-GFX_ARCV: BEYOND    ‎ ‎⁄ ‎    CGI × VFX — [ IMG ]" src="https://freight.cargo.site/w/1000/i/a05a1c697afe09276bbebb15477dcfd8b6190e2af7184238365bb2fc7aa63e2a/8-0-00-11-17.jpg" /&#62;
&#60;img width="2560" height="1089" width_o="2560" height_o="1089" data-src="https://freight.cargo.site/t/original/i/e695913476210dd61501a24a520fb474386e26c07b5f4d05b2caab1b223edcb6/BEYOND_014.jpeg" data-mid="143816024" border="0" alt="RAW-GFX_ARCV: BEYOND    &#38;lrm; &#38;lrm;&#38;frasl; &#38;lrm;    CGI &#38;times; VFX &#38;mdash; [ IMG ]" data-caption="RAW-GFX_ARCV: BEYOND    ‎ ‎⁄ ‎    CGI × VFX — [ IMG ]" src="https://freight.cargo.site/w/1000/i/e695913476210dd61501a24a520fb474386e26c07b5f4d05b2caab1b223edcb6/BEYOND_014.jpeg" /&#62;
&#60;img width="2800" height="1191" width_o="2800" height_o="1191" data-src="https://freight.cargo.site/t/original/i/68a4835b13c47e39147145258ffff4af96c8ed793a8340827db0c056fafdb23e/4.jpeg" data-mid="143815274" border="0" alt="RAW-GFX_ARCV: GNR-T    &#38;lrm; &#38;lrm;&#38;frasl; &#38;lrm;    MOGRAPH &#38;mdash; [ PROJECT ]" data-caption="RAW-GFX_ARCV: GNR-T    ‎ ‎⁄ ‎    MOGRAPH — [ PROJECT ]" src="https://freight.cargo.site/w/1000/i/68a4835b13c47e39147145258ffff4af96c8ed793a8340827db0c056fafdb23e/4.jpeg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Info</title>
				
		<link>https://raw-gfx.com/Info</link>

		<pubDate>Fri, 08 Jul 2022 14:36:42 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/Info</guid>

		<description>
	From Mission Impossible and Star Wars, to creative work for brands like Intel and Nike; Ryan has been fortunate enough to work on a diverse range of projects, both solo and alongside a variety of talented teams.&#38;nbsp;
His calm, friendly demeanour, plus a strong work ethic make for a solid collaborator &#38;amp; ally.

	 RAW’s creative output varies greatly — from hi-tech visuals: such as Fictional User Interfaces, advanced M-GFX, or abstract, technical Art — to minimal Graphic Design — and even real-world UI/UX — so feel free to get in touch about anything he can help bring to life.&#38;nbsp;
No AI use (ever); 100% human-made work.



 Filmography ×&#38;nbsp;Clientele



	Star Wars: Andor S2&#38;nbsp;(2025)F1: The Movie (2025)


Mission: Impossible DR (2023)
The Batman (2022)Terminator: Dark Fate (2019)The Running Man&#38;nbsp;(2025)

The Agency: S1+S2&#38;nbsp;(2024/25)Foundation: S1&#38;nbsp;(2021)Atlas&#38;nbsp;(2024)
Echo 3 (2022)
Solitary (2021)

NDA—TV Series&#38;nbsp;(2026)






·DisneyParamount PicturesDC FilmsNetflixApple StudiosSkydance Media...



	AudiVolkswagenIntelNikeIKEAMercedesNissanHPEFacebook AIBBCeBayNOS EnergyIncariTersa23RDCNRTH (Nik Hill)Zelig Sound...

︎︎︎ Many more...





Education × Experience



	2013—2016: 
BA (Hons) Graphic Design
—2:1, with Honours
︎︎︎&#38;nbsp;University Centre Doncaster Awarded by University of Hull·Learn Squared—Various·



	Self-employed: 2017—Present


BLIND LTD—Freelance


Territory Studio (LDN/SF)—FreelanceUnit Image (UMD)—Freelance23RDC—Freelance &#38;nbsp;The Many—FreelanceUNLEASHED VFX—Freelance &#38;nbsp;NYB Media—FreelanceKATFARM Productions—Freelance&#38;nbsp;Polymath Visuals—FreelanceUtopia D&#38;amp;M—Freelance


·2016—2017: Keepmoat Homes
 Graphic Designer2016: Fellowes
Graphic Designer (Temporary)2016: IKEA
Graphic Designer (Temporary)




Software&#38;nbsp;× Hardware





	&#60;img width="1004" height="1299" width_o="1004" height_o="1299" data-src="https://freight.cargo.site/t/original/i/86092e10ff8708232a3f0178bd8bd1ad5feea4d7ca5932e05400c826d84d03e4/RAW-GFX_BUSINESS_CARD.jpg" data-mid="147409951" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/86092e10ff8708232a3f0178bd8bd1ad5feea4d7ca5932e05400c826d84d03e4/RAW-GFX_BUSINESS_CARD.jpg" /&#62;
	2D—After Effects, Illustrator, Photoshop, InDesign, Figma
3D—C4D, Octane·Self-built PC—Ryzen 9 5950X, 128GB DDR4, RTX 3090MacBook Pro—16” M1 Max, 10C/32C, 64GB RAM, 4TB SSD
iPad Pro—12.9”&#38;nbsp;M1iPhone 16 Pro—128GBBenQ PD3225U—32” 4K HDRSony A6400—16-50mm, 70-350mm

·

Logitech MX Master 3
Keychron K2 v2

Herman Miller × Logitech Embody




The Office&#38;nbsp;× Studio


	
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2bc618777090629f861fe56df895c206ec5d5e2bf042841ea0867bdf8ffa60e0/IMG_0475-2.JPG" data-mid="223920190" border="0"  src="https://freight.cargo.site/w/1000/i/2bc618777090629f861fe56df895c206ec5d5e2bf042841ea0867bdf8ffa60e0/IMG_0475-2.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a5b40e71a247eee72bce0394d25ce749f50bf3a3cfb3811bc694ff5992ee377e/IMG_0457-2.JPG" data-mid="223920189" border="0"  src="https://freight.cargo.site/w/1000/i/a5b40e71a247eee72bce0394d25ce749f50bf3a3cfb3811bc694ff5992ee377e/IMG_0457-2.JPG" /&#62;
&#60;img width="2898" height="3865" width_o="2898" height_o="3865" data-src="https://freight.cargo.site/t/original/i/c27eb2b84502fb603051be4e8609f41d3b0be01116a5448902e15e06a1ff2f67/IMG_0502-2.JPG" data-mid="223920191" border="0"  src="https://freight.cargo.site/w/1000/i/c27eb2b84502fb603051be4e8609f41d3b0be01116a5448902e15e06a1ff2f67/IMG_0502-2.JPG" /&#62;
&#60;img width="2467" height="3289" width_o="2467" height_o="3289" data-src="https://freight.cargo.site/t/original/i/a33a1795a323f96c5a7dbf95a271ed463a4072e2f937fe3a3640f0f0c7d062c3/IMG_0313-2.jpg" data-mid="223920188" border="0"  src="https://freight.cargo.site/w/1000/i/a33a1795a323f96c5a7dbf95a271ed463a4072e2f937fe3a3640f0f0c7d062c3/IMG_0313-2.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Info (M)</title>
				
		<link>https://raw-gfx.com/Info-M</link>

		<pubDate>Sun, 19 May 2024 06:10:25 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/Info-M</guid>

		<description>

	Ryan Anthony Ward is a freelance creative based in the UK, specialising in Graphic × UI × Motion Design.&#38;nbsp;

	From Mission Impossible and Star Wars, to creative work for brands like Intel and Nike; Ryan has been fortunate enough to work on a diverse range of projects, both solo and alongside a variety of talented teams. His calm, friendly demeanour, plus a strong work ethic make for a solid collaborator &#38;amp; ally.
RAW’s creative output varies greatly — from hi-tech visuals: such as Fictional User Interfaces, advanced M-GFX, or abstract, technical Art — to minimal Graphic Design&#38;nbsp;—&#38;nbsp;and even real-world UI/UX&#38;nbsp;—&#38;nbsp;so feel free to get in touch about anything he can help bring to life. No AI use (ever); 100% human-made work.




 Filmography ×&#38;nbsp;Clientele



	Star Wars: Andor S2 (2025)F1: The Movie (2025)


Mission: Impossible DR (2023)
The Batman (2022)Terminator: Dark Fate (2019)The Running Man (2025)
The Agency: S1+S2 (2024/25)Foundation: S1 (2021)Atlas&#38;nbsp;(2024)
Echo 3 (2022)
Solitary (2021)

NDA—TV Series&#38;nbsp;(2026)·DisneyParamount PicturesDC FilmsNetflixApple TVSkydance Media...



	AudiVolkswagenIntelNikeIKEAMercedesNissanHPEFacebook AIBBCeBayNOS EnergyIncariTersa23RDCNRTH (Nik Hill)Zelig Sound

︎︎︎ Many more...





Education × Experience



	2013—2016: 
BA (Hons) Graphic Design
—2:1, with Honours
︎︎︎&#38;nbsp;University Centre Doncaster Awarded by University of Hull·Learn Squared—Various·



	Self-employed: 2017—Present


BLIND LTD—Freelance


Territory Studio (LDN/SF)—FreelanceUnit Image (UMD)—Freelance23RDC—Freelance &#38;nbsp;The Many—FreelanceUNLEASHED VFX—Freelance &#38;nbsp;NYB Media—FreelanceKATFARM Productions—Freelance&#38;nbsp;Polymath Visuals—FreelanceUtopia D&#38;amp;M—Freelance


·2016—2017: Keepmoat Homes
 Graphic Designer2016: Fellowes
Graphic Designer (Temporary)2016: IKEA
Graphic Designer (Temporary)





Software&#38;nbsp;× Hardware



	&#60;img width="1004" height="1299" width_o="1004" height_o="1299" data-src="https://freight.cargo.site/t/original/i/86092e10ff8708232a3f0178bd8bd1ad5feea4d7ca5932e05400c826d84d03e4/RAW-GFX_BUSINESS_CARD.jpg" data-mid="211212051" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/86092e10ff8708232a3f0178bd8bd1ad5feea4d7ca5932e05400c826d84d03e4/RAW-GFX_BUSINESS_CARD.jpg" /&#62;
	2D—After Effects, Illustrator, Photoshop, InDesign, Figma3D—C4D, Octane
·Self-built PC—Ryzen 9 5950X, 128GB DDR4, RTX 3090MacBook Pro—16” M1 Max, 10C/32C, 64GB RAM, 4TB SSD
iPad Pro—12.9” M1iPhone 16 Pro—128GBBenQ PD3225U—32” 4K HDRSony A6400—16-50mm, 70-350mm·

Logitech MX Master 3Keychron K2 v2

Herman Miller × Logitech Embody




The Office&#38;nbsp;× Studio


	
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4bca621dd11c7697f7da05e5295757bc18cb6abff844095b4b129f61f16d3207/IMG_0475-2.JPG" data-mid="223920802" border="0"  src="https://freight.cargo.site/w/1000/i/4bca621dd11c7697f7da05e5295757bc18cb6abff844095b4b129f61f16d3207/IMG_0475-2.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ec93de6e590c2399fc28744d078c8714f5ba4ebd306e671cc1ea9ecb1bf87829/IMG_0457-2.JPG" data-mid="223920801" border="0"  src="https://freight.cargo.site/w/1000/i/ec93de6e590c2399fc28744d078c8714f5ba4ebd306e671cc1ea9ecb1bf87829/IMG_0457-2.JPG" /&#62;
&#60;img width="2898" height="3865" width_o="2898" height_o="3865" data-src="https://freight.cargo.site/t/original/i/089c4b851c7563419425ec21b11b273385fa6fa1183de03f985eee7a9bcc80c8/IMG_0502-2.JPG" data-mid="223920803" border="0"  src="https://freight.cargo.site/w/1000/i/089c4b851c7563419425ec21b11b273385fa6fa1183de03f985eee7a9bcc80c8/IMG_0502-2.JPG" /&#62;
&#60;img width="2467" height="3289" width_o="2467" height_o="3289" data-src="https://freight.cargo.site/t/original/i/1e034e871a9a3329ce956facb9c4f4016cca4214cb926cb58fce475e77921800/IMG_0313-2.jpg" data-mid="223920800" border="0"  src="https://freight.cargo.site/w/1000/i/1e034e871a9a3329ce956facb9c4f4016cca4214cb926cb58fce475e77921800/IMG_0313-2.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Solitary</title>
				
		<link>https://raw-gfx.com/Solitary</link>

		<pubDate>Thu, 26 May 2022 22:28:23 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/Solitary</guid>

		<description>


	


	Industry
—
Film (Short)...
Category—Fictional User Interface...
	Year—2021...Studio—KATFARM Productions...

	
Project—Solitary...
Info
—Design × Motion (inc. Art Direction) for a short sci-fi film; Solitary, directed by Daniel Farmer. The desired style referenced vintage PC’s, Aliens, and NASA.

	



&#60;img width="3840" height="1080" width_o="3840" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3c85122f38bf02fbb029178f14aad5c8ee8535aa7499a607ea26bae525904e41/Soitary_GFXComp_4K_EDIT_v04-0-00-01-01_1.jpg" data-mid="226527672" border="0"  src="https://freight.cargo.site/w/1000/i/3c85122f38bf02fbb029178f14aad5c8ee8535aa7499a607ea26bae525904e41/Soitary_GFXComp_4K_EDIT_v04-0-00-01-01_1.jpg" /&#62;

&#60;img width="1280" height="536" width_o="1280" height_o="536" data-src="https://freight.cargo.site/t/original/i/fce0e7900c45401bfde16f20c6c529425a0eac61945d1eb0b0d73093f4eeb08c/Soitary_GFXComp_4K_EDIT_v04-5.gif" data-mid="226527702" border="0"  src="https://freight.cargo.site/w/1000/i/fce0e7900c45401bfde16f20c6c529425a0eac61945d1eb0b0d73093f4eeb08c/Soitary_GFXComp_4K_EDIT_v04-5.gif" /&#62;
&#60;img width="1600" height="670" width_o="1600" height_o="670" data-src="https://freight.cargo.site/t/original/i/5e5d39199573420ba229cc6b421872f55094b468c1e0703c3d093038848d9e1f/Soitary_GFXComp_4K_EDIT_v04-1.gif" data-mid="226527705" border="0"  src="https://freight.cargo.site/w/1000/i/5e5d39199573420ba229cc6b421872f55094b468c1e0703c3d093038848d9e1f/Soitary_GFXComp_4K_EDIT_v04-1.gif" /&#62;


&#60;img width="3840" height="1080" width_o="3840" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5ede70d989440a2b23052c766c3b333cbd62d6922e923089903682f8e6ef1731/Soitary_GFXComp_4K_EDIT_v04-0-00-10-18_1.jpg" data-mid="226527713" border="0"  src="https://freight.cargo.site/w/1000/i/5ede70d989440a2b23052c766c3b333cbd62d6922e923089903682f8e6ef1731/Soitary_GFXComp_4K_EDIT_v04-0-00-10-18_1.jpg" /&#62;
&#38;nbsp;
&#60;img width="1280" height="536" width_o="1280" height_o="536" data-src="https://freight.cargo.site/t/original/i/9519b3ec04e7493a537d3769c6d371249df1614ae621b293921d67ff014258b3/Soitary_GFXComp_4K_EDIT_v04-3.gif" data-mid="226527720" border="0"  src="https://freight.cargo.site/w/1000/i/9519b3ec04e7493a537d3769c6d371249df1614ae621b293921d67ff014258b3/Soitary_GFXComp_4K_EDIT_v04-3.gif" /&#62;
&#60;img width="1600" height="670" width_o="1600" height_o="670" data-src="https://freight.cargo.site/t/original/i/8f2095ff8f7d0a6f9e8fa541497f566eea1f43f57ca757c052d917a4470cfa98/Soitary_GFXComp_4K_EDIT_v04-2.gif" data-mid="226527717" border="0"  src="https://freight.cargo.site/w/1000/i/8f2095ff8f7d0a6f9e8fa541497f566eea1f43f57ca757c052d917a4470cfa98/Soitary_GFXComp_4K_EDIT_v04-2.gif" /&#62;


&#60;img width="3840" height="1080" width_o="3840" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bbb22663f11dff97db3b3a1b92c6ea1ce12b7622a122a4cd1abb34ed41515768/Soitary_GFXComp_4K_EDIT_v04-0-00-21-08_1.jpg" data-mid="226527724" border="0"  src="https://freight.cargo.site/w/1000/i/bbb22663f11dff97db3b3a1b92c6ea1ce12b7622a122a4cd1abb34ed41515768/Soitary_GFXComp_4K_EDIT_v04-0-00-21-08_1.jpg" /&#62;





&#60;img width="3840" height="1080" width_o="3840" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e09907ec257cd1e31e10a5daf325e8bea0239396a06e7d778bdbc66c65d1e603/Soitary_GFXComp_4K_BW_EDIT_v03_1.jpg" data-mid="226242382" border="0"  src="https://freight.cargo.site/w/1000/i/e09907ec257cd1e31e10a5daf325e8bea0239396a06e7d778bdbc66c65d1e603/Soitary_GFXComp_4K_BW_EDIT_v03_1.jpg" /&#62;

&#60;img width="1800" height="754" width_o="1800" height_o="754" data-src="https://freight.cargo.site/t/original/i/1054a520f169bfb8051e6e86c8903416704891057140bf3774debbbe2c48b09b/Soitary_GFXComp_4K_EDIT_BW_v04-5.gif" data-mid="226527738" border="0"  src="https://freight.cargo.site/w/1000/i/1054a520f169bfb8051e6e86c8903416704891057140bf3774debbbe2c48b09b/Soitary_GFXComp_4K_EDIT_BW_v04-5.gif" /&#62;
&#60;img width="1800" height="754" width_o="1800" height_o="754" data-src="https://freight.cargo.site/t/original/i/6e0b6393eafcfbf11b4458c23c349c6e68974415d0d5d3892669fd877e5ac44d/Soitary_GFXComp_4K_BW_EDIT_v03-06.gif" data-mid="226242422" border="0"  src="https://freight.cargo.site/w/1000/i/6e0b6393eafcfbf11b4458c23c349c6e68974415d0d5d3892669fd877e5ac44d/Soitary_GFXComp_4K_BW_EDIT_v03-06.gif" /&#62;

&#60;img width="3840" height="1080" width_o="3840" height_o="1080" data-src="https://freight.cargo.site/t/original/i/07a44588d107a39eb4c7f7247609a2c5745cc1a9d9a46d2c02a4b6483c6ad455/Soitary_GFXComp_4K_BW_EDIT_v03_7.jpg" data-mid="226242427" border="0"  src="https://freight.cargo.site/w/1000/i/07a44588d107a39eb4c7f7247609a2c5745cc1a9d9a46d2c02a4b6483c6ad455/Soitary_GFXComp_4K_BW_EDIT_v03_7.jpg" /&#62;

&#60;img width="1440" height="603" width_o="1440" height_o="603" data-src="https://freight.cargo.site/t/original/i/3f45a2c78025018b2304a04b43dcc8663a50efae1e8d171ae10e490d2870b14d/Soitary_GFXComp_4K_EDIT_BW_v04-3.gif" data-mid="226527737" border="0"  src="https://freight.cargo.site/w/1000/i/3f45a2c78025018b2304a04b43dcc8663a50efae1e8d171ae10e490d2870b14d/Soitary_GFXComp_4K_EDIT_BW_v04-3.gif" /&#62;
&#60;img width="1920" height="804" width_o="1920" height_o="804" data-src="https://freight.cargo.site/t/original/i/01866fc65cc3bcf795510e00b1fe1d5ba7f59eff5e9664a754d18d9d4b10370c/Soitary_GFXComp_4K_BW_EDIT_v03-08.gif" data-mid="226242435" border="0"  src="https://freight.cargo.site/w/1000/i/01866fc65cc3bcf795510e00b1fe1d5ba7f59eff5e9664a754d18d9d4b10370c/Soitary_GFXComp_4K_BW_EDIT_v03-08.gif" /&#62;


&#60;img width="3840" height="1080" width_o="3840" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c31b419a63d965ccb3f0e19628a51c19a485d829c9b7d809378da5693e6a8a1b/Soitary_GFXComp_4K_BW_EDIT_v03_14.jpg" data-mid="226242445" border="0"  src="https://freight.cargo.site/w/1000/i/c31b419a63d965ccb3f0e19628a51c19a485d829c9b7d809378da5693e6a8a1b/Soitary_GFXComp_4K_BW_EDIT_v03_14.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Echo 3</title>
				
		<link>https://raw-gfx.com/Echo-3</link>

		<pubDate>Fri, 12 Jan 2024 20:59:12 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/Echo-3</guid>

		<description>


	


	Year—
2022
...Studio—
Territory Studio (San Francisco)...


	Industry
—
Television ...
Category—Fictional User Interface/ VFX 
...

	Project
—
Echo 3...
Info—Design × Motion for the Apple TV series Echo 3 —&#38;nbsp;consisting of mostly Drone HUD’s, a 3D vehicle scan, and security camera feeds; all grounded somewhat in reality. I was responsible for delivering EXR’s to the in-house VFX team.
	





&#60;img width="1280" height="550" width_o="1280" height_o="550" data-src="https://freight.cargo.site/t/original/i/7b93e0eed07369893a9cfe77c2d13dbea4c590cf39dfaa7e72c6363ec3f4b6cf/Echo_3_Select_11.gif" data-mid="226321642" border="0"  src="https://freight.cargo.site/w/1000/i/7b93e0eed07369893a9cfe77c2d13dbea4c590cf39dfaa7e72c6363ec3f4b6cf/Echo_3_Select_11.gif" /&#62;
&#60;img width="1280" height="550" width_o="1280" height_o="550" data-src="https://freight.cargo.site/t/original/i/12f1ed707928e1ac1e41e6815ac702bd312ebdf1deda599da6837a20c0aed89e/Echo_3_Select_01.gif" data-mid="226206961" border="0"  src="https://freight.cargo.site/w/1000/i/12f1ed707928e1ac1e41e6815ac702bd312ebdf1deda599da6837a20c0aed89e/Echo_3_Select_01.gif" /&#62;
&#60;img width="846" height="363" width_o="846" height_o="363" data-src="https://freight.cargo.site/t/original/i/92c470f5fb0bd7a56e6f9391bc1ceec01dccf314e105d92329d6632901ae16b3/Echo_3_04.gif" data-mid="201625969" border="0"  src="https://freight.cargo.site/w/846/i/92c470f5fb0bd7a56e6f9391bc1ceec01dccf314e105d92329d6632901ae16b3/Echo_3_04.gif" /&#62;
&#60;img width="1280" height="550" width_o="1280" height_o="550" data-src="https://freight.cargo.site/t/original/i/55268f54a9e397824f4d2db1742448534b8724f47aba576d5555244e8de5906d/Echo_3_Select_06.gif" data-mid="226206966" border="0"  src="https://freight.cargo.site/w/1000/i/55268f54a9e397824f4d2db1742448534b8724f47aba576d5555244e8de5906d/Echo_3_Select_06.gif" /&#62;
&#60;img width="1280" height="550" width_o="1280" height_o="550" data-src="https://freight.cargo.site/t/original/i/601aa9eef5254fb83ff4cf845e1d8727a39d9adac570167fd8c935ca6267d5ad/Echo_3_Select_07.gif" data-mid="226206967" border="0"  src="https://freight.cargo.site/w/1000/i/601aa9eef5254fb83ff4cf845e1d8727a39d9adac570167fd8c935ca6267d5ad/Echo_3_Select_07.gif" /&#62;
&#60;img width="1280" height="550" width_o="1280" height_o="550" data-src="https://freight.cargo.site/t/original/i/e21046f42e544ba7764d790067a8f8778341a88d1008eaf14e89351bb1b9b549/Echo_3_Select_04.gif" data-mid="226206964" border="0"  src="https://freight.cargo.site/w/1000/i/e21046f42e544ba7764d790067a8f8778341a88d1008eaf14e89351bb1b9b549/Echo_3_Select_04.gif" /&#62;
&#60;img width="1280" height="550" width_o="1280" height_o="550" data-src="https://freight.cargo.site/t/original/i/da58ffa1ce5b7d9aa004748062cf6758e95e97990da5504acceae4c59f2781dd/Echo_3_Select_02.gif" data-mid="226206962" border="0"  src="https://freight.cargo.site/w/1000/i/da58ffa1ce5b7d9aa004748062cf6758e95e97990da5504acceae4c59f2781dd/Echo_3_Select_02.gif" /&#62;
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ALL CONTENTS ARE COPYRIGHT OF THE RESPECTIVE PRODUCTION COMPANIES, STUDIOS, ETC. NOT INTENDED FOR PROMOTIONAL USE.
</description>
		
	</item>
		
		
	<item>
		<title>The Batman</title>
				
		<link>https://raw-gfx.com/The-Batman</link>

		<pubDate>Wed, 20 Mar 2024 10:09:56 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/The-Batman</guid>

		<description>


	


	Project
—
The Batman...
	Studio—
Territory Studio (LDN)...

	
Info
—
At the end of 2019, I was lucky enough to be tasked with helping flesh out the Gotham City Police Department with a range of supporting GFX; including rap sheets, CCTV feeds and criminal databases.


	



</description>
		
	</item>
		
		
	<item>
		<title>F1</title>
				
		<link>https://raw-gfx.com/F1</link>

		<pubDate>Sat, 22 Aug 2026 10:36:16 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/F1</guid>

		<description>


	


	Project
—
F1: The Movie...
	Studio—
BLIND LTD...

	
Info
—
I was fortunate enough to be brought onboard this highly-awaited epic in the final, post stages; delivering a range of GFX ready for the VFX pipeline.


	




</description>
		
	</item>
		
		
	<item>
		<title>Andor S2</title>
				
		<link>https://raw-gfx.com/Andor-S2</link>

		<pubDate>Sat, 03 May 2025 06:41:10 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/Andor-S2</guid>

		<description>


	


	Project
—
Star Wars: Andor S2...
	Studio—
BLIND LTD...

	
Info
—At the end of 2022, I was lucky enough to be asked to help out on Andor: Season 2. The opportunity to contribute to such a beloved franchise doesn’t come around often, so I am very grateful and proud to see my name in the end credits.


	





</description>
		
	</item>
		
		
	<item>
		<title>Terminator: Dark Fate</title>
				
		<link>https://raw-gfx.com/Terminator-Dark-Fate</link>

		<pubDate>Wed, 20 Mar 2024 10:39:31 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/Terminator-Dark-Fate</guid>

		<description>


	


	Project
—
Terminator: Dark Fate...
	Studio
—
Unit Motion Design...

	Info—I was fortunate enough to be brought onboard the Unit Image / Motion Design team in the summer of 2019, to help create animated concepts for a key sequence in this major feature; known internally as the “Data Stream”.



	




</description>
		
	</item>
		
		
	<item>
		<title>Mission Impossible 7</title>
				
		<link>https://raw-gfx.com/Mission-Impossible-7</link>

		<pubDate>Mon, 18 Mar 2024 10:52:18 +0000</pubDate>

		<dc:creator>Ryan Anthony Ward &#124; Design × Motion</dc:creator>

		<guid isPermaLink="true">https://raw-gfx.com/Mission-Impossible-7</guid>

		<description>


	


	Industry
—
Feature Film...

Category—Fictional User Interface


..
	Year—
2022 ⁄ 23...Studio—
BLIND LTD

...
	Project
—
Mission: ImpossibleDead Reckoning
Info—Design × Motion for the 7th installment in this legendary series of blockbusters. I helped design, animate and deliver a range of screen GFX, ready for the VFX pipeline.



	





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ALL CONTENTS ARE COPYRIGHT OF THE RESPECTIVE PRODUCTION COMPANIES, STUDIOS, ETC. NOT INTENDED FOR PROMOTIONAL USE.
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